John H. Richardson
   writer   

 


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Library Journal

This exceptional Hollywood novel details the adventures of a harried assistant, slave to a high-powered tycoon, who becomes in drugs, gorgeous B-girls, hard-boiled cops, booze, murder, and well, the usual L.A. lifestyle and workplace stuff except (perhaps satirically omitted) the makings of movies. Brightly written, acerbically insidely, and often funny as hell, the novel succumbs to perhaps an inappropriately happy ending, but Richardson's chief success is in his creation of an overbearing, megalomaniacal action film producer who is half-Frankenstein, half Frankenstein's monster - a witty classic of the genre. Highly recommended.
-David Bartholomew

Elle Magazine

One terrific satire about power in America, Primary Colors, has just been joined by another, The Vipers' Club. Like Anonymous, veteran Hollywood reporter John H. Richardson uses the relationship between an ambitious young assistant and the monstrous life force he works for to create a complex portrait of a tough business.

People Magazine

In this '90s twist on The Day of the Locust - Nathanael West's memorable 1939 noir novel of Hollywood - former Premiere senior writer Richardson gleefully sinks his fangs into the Dream Capitol ... As the action swirls from a punchup at Morton's, the exclusive industry eatery, to oddly decorated back-lot bungalows to mirrored Beverly Hills love nests, snakeskins are shed. But whodunit - if anyone dun it - is not nearly as interesting as why dunit. In a town where image is everything, the eleborate case and its attendant publicity are merely a setup to convince Tom Hanks to commit to a certain project. As a reader, you'll have no trouble committing to Vipers.

J.D. Reed
September 1996